By Stacy Gubar
Recently I had the pleasure of attending NECCA’s 11th annual Circus Spectacular show. The performance was truly incredible despite being virtual this year. NECCA admirably adapted to the current circumstances to create a beautiful programme for an admirable purpose. The board chair, Elizabeth Wohl, and Jenna Struble explained that the Circus Spectacular is the main source of fundraising for NECCA students needing financial aid, and that NECCA has recently been able to fund a blood drive, food drive, LGBTQIA+ scholarship, and BIPOC scholarship in addition to that. Additionally, the speakers acknowledged that NECCA is located on Native land and that all their work would not be possible without the sacrifice of the native people. I knew very little about the organization beforehand, but found NECCA to be a very admirable, responsible, and humble one.
I was equally impressed and inspired by all the stunning performances the evening included. The Advanced Youth Troupe performed beautifully to the poem “Freaks” by Moo Butler. The poem was incredibly powerful and fit well with both the occasion and the choreography. The routine included fluid group dance, trapeze, ribbon (silks), German wheel, acrobatics, straps, and webs which proved to be a wonderful, varied display of circus skill. The group’s choice to wear mismatched costumes further highlighted the individuality of the performers and matched well with the poem’s message regarding inclusivity in circus.
The next act, performed by the incredibly experienced and talented Joel Herzfeld, was simply breathtaking. It was a very creative hand balancing routine with clever theatrical aspects. Herzfeld demonstrated exemplary strength, balance, flexibility, and aptitude for fluid motion throughout the whole incredibly active routine. It was a mesmerizing and rare experience to view a hand balancing routine with so much motion and I was entranced the whole way through.
Another very unique and seemingly gravity-defying performance was carried out by the incredible Eric Bates. This particular routine was no exception to Bates’ admirable use of performing arts to bring awareness to climate change, since the items being juggled were cigar boxes. I found this to be a very interesting choice, and one that created a juggling act unlike anything I had seen before. The routine was very active and upbeat and demonstrated such skillfulness that, in the hands of Bates, the nearly impossible feats seemed effortless.
The next routine seemed to be equally effortless for the spectacular founder of Droplet Dance, Molly Gawlerl. It was a very beautiful, fluid routine with the Cyr wheel. Gawler and the wheel seemed to be one and the same, and were truly mesmerizing to watch. The incredible, heartfelt facial expressions Gawler displayed throughout the routine matched the music very well and added a beautiful theatrical aspect to an already stunning performance.
Another very theatrical act was presented by Micah Ellinger and Sylvian Ramseier. They were an incredible acrobatic duo with a beautiful, highly emotional routine that I simply could not look away from. The dance elements blended wonderfully with the awe-inspiring acrobatic feats the pair displayed. Having experience with partner acrobatics myself, I was absolutely astonished by the ease with which they completed such advanced tricks. Their talent and strength made each feat seem effortless. Furthermore, they were so impossibly in sync with each other that I found it difficult to believe these incredible performers were regular humans.
Another artist that must be extraterrestrial is the astonishing contortionist, Ariana Ferber-Carter. The routine Ferber-Carter presented at the Circus Spectacular was certainly spectacular and seemingly inhuman in the best possible way. The flexibility and fluidity demonstrated in this performance are unbeatable, and seemed so natural and effortless for this talented performer. I also really loved the shining body suit Ferber-Carter wore, and the way it emphasized the beautiful bendy positions demonstrated in the routine.
The next routine, performed by Chloe Somers (Wailer), was a very creative, cheerful hula hoop act. I have not seen many hoop routines in my life, so I had no idea a childhood toy could be used in so many beautiful ways. Somers (Wailer)’s incredible coordination and creativity produced quite a spectacle that I could not stop staring and smiling at. I was particularly entranced when four, or perhaps it was even five, hoops were spun at once! That, as well as the entire routine, was truly incredible.
Last but not least, Kevin Beverly and Gravity and Other Myths presented an incredible group acrobatic act. The seemingly impossible flips and leaps they performed convinced me that gravity truly is a myth for these talented artists. I also really loved the fact that the routine was performed alongside a band playing live music. As both a circus performer and ensemble flute player myself I really appreciated witnessing my two favorite things collide in such a beautiful, dynamic routine.
Despite being a virtual event this year, the 2021 NECCA Circus Spectacular was an amazing show. The combination of pre recorded acts and live, and very lively, ringmaster and emcee, Jeff Raz and Tristan Cunningham, allowed the evening to run smoothly, but feel personal as well. The concluding live Q&A with the featured performers also helped make the show feel more like an in-person experience. I thoroughly enjoyed the whole event, and lament the unfortunate fact that I missed Mario Diamond’s pre-show because I am certain it was wonderful as well.